Villainous women have existed in fiction for as long as there's been fiction, though they often fall into types: mean girls, evil queens, harping wives, revenging mistresses. Often, they all share one quality: they are unsympathetic. This is not a sweeping statement across the board, of course, and characters intended to be unsympathetic can be read sympathetically by certain audiences. However, female characters of questionable morality are not always granted the automatic sympathy of a lot of their male counterparts. Men can be antiheroes; women often aren't allowed that luxury. 

But the significance of Disney princesses extends far beyond their entertainment value. As stories created for children, and often intended to teach a lesson or impart specific morals, these films serve as mirrors that reflect our culture’s shifting values. Specifically, they demonstrate women’s perceived importance and purpose in society at specific periods in time. When analyzed parallel to the feminist movements of the 20^th and early 21^st centuries, they highlight intriguing – and sometimes disturbing – truths about the world in which we live. 

One can always count on director Tim Burton to deliver movies dripping with atmosphere, and his film adaptation of the 1960s and ’70s soap opera “Dark Shadows” is eerily beautiful to look at. Unfortunately, the storytelling elements don’t keep pace with Burton’s visual craftsmanship. The “Dark Shadows” TV show ran five years, and vampire Barnabus Collins wasn’t in early episodes, but his eventual appearance created a ratings spike, making him the face of the series. Likely for that reason, Burton and company put the focus squarely on Barnabus (Johnny Depp).