The story is set in motion by the death of a former World War II resistance fighter. In rapid succession, Bruno is called on to investigate a rash of summer home burglaries, as well as the murder of a gay British antiques dealer. As these investigations unfold, we meet several important people in Bruno’s personal life, including Pamela, his on-and-off-again lover, an old flame named Isabelle and a forensic specialist, Fabriola, who assists him in his police work. It’s a large, not to say unwieldy, cast of characters, especially for those of us new to the Bruno series.

Larry Charles and Sacha Baron Cohen’s work often plays on this thematic of mimicry. “Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan” (2006) and “Bruno” (2009) both juxtapose Cohen’s over-the-top, staged performances with various documentary and news conventions such as candid footage, voiceover narration, and face-to-face interviews. Although “The Dictator” for the most part refrains from “Borat’s” and “Bruno’s" documentary aspirations, the thematic of impersonating political authority remains central to the film’s narrative.